Posts Tagged 'universities'

New Artstor resource: 36,000 images from the Center for Creative Photography

Brett Weston, untitled, 1973, Gelatin silver print (Center for Creative Photography, University of Arizona; Gift of Wynn Bullock; Accession Number: 76.3.3; Artstor Image ID: AWSS35953_35953_37981071)The Center for Creative Photography at the University of Arizona has contributed nearly 36,000 images to the Artstor Digital Library. The Center is recognized as one of the world’s finest academic art museums and study centers for the history of photography.

The Center opened in 1975 with the archives of five living master photographers — Ansel Adams, Wynn Bullock, Harry Callahan, Aaron Siskind, and Frederick Sommer — and has grown to include 239 archival collections. Among these are some of the most recognizable names in 20th-century North American photography: W. Eugene Smith, Lola Alvarez Bravo, Edward Weston, and Garry Winogrand.

This selection from the Center is an essential resource for Photography and a rich repository for Interdisciplinary Studies, supporting research in Environmental Studies, Geography, Social History, and Sustainability.

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Registration Open for CaVraCon 2017, June 12-13

CaVraCon 2017, June 12 + 13, UC BerkeleyRegistration is now open for the California Visual Resources Association Conference (CaVraCon). All CaVraCon events will be held June 12-13 at Wurster Hall at UC Berkeley. We welcome information professionals in archives, commercial enterprises, libraries, museums, and visual resources collections (academic, corporate, private) as well as students and interested members of the public to attend.

The program is now live on the CaVraCon conference website! The CaVraCon conference program features presentations and panel discussions on topics such as:

  • Digitization
  • Digital Preservation
  • Copyright
  • 3D/VR
  • Emerging Technologies
  • Digital Humanities
  • Digital Art History
  • Digital Exhibits
  • Digital Assets Management
  • Image Metadata

Please see the online registration form to register. Registration is $50 (or $25 for students and retirees).

Bard Graduate Center exhibition installation images now in Artstor

Thomas Hope: Regency Designer, Installation view; 2008. Image and original data contributed by Bard Graduate Center GalleryArtstor announced that the Bard Graduate Center has released 2,500 images of exhibitions installed in their Gallery. The Bard Graduate Center is an academic unit of Bard College that offers advanced degrees in decorative arts, design history, and material culture and the Gallery is an intimate environment for viewing loan exhibitions curated by the Center’s faculty, staff, students, or specialized curatorial consultants, frequently in collaboration with renowned institutions such as the Metropolitan Museum of Art, Victoria and Albert Museum, and the New-York Historical Society.

Help stop the elimination of the NEA and NEH

Even before his inauguration, the new President announced his intention to eliminate funding for the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH). While named as part of an effort to cut the federal budget, these two organizations (and the The Corporation for Public Broadcasting, which he would privatize) make up only 0.02% of annual federal spending.

Various arts organization have come out denouncing this act and have proposed important ways supporters can fight against cuts:

h/t Washington Post, ARTnews, Art Forum, artnet, Hyperallergic, Inside Higher Ed, etc. You get the point.

Yale Center for British Art adds 1000s of new hi-res images

George Hicks, The Sinews of Old England, 1857, watercolor, graphite, gouache, gum arabic, and scraping out on cream wove paper, Yale Center for British Art, Friends of British Art FundThe Yale Center for British Art has just released more than 22,000 additional high-resolution images through its online collection. To date, the Center has made more than 69,000 images freely available online. This most recent release was made in conjunction with Public Domain Day, and while most of the artworks themselves are not new entries to the public domain, in most cases this will be the first time that digital images of these works are easily and openly accessible to the world. The Center’s images are available as both display-sized jpegs and full-page tiffs and are compatible with the International Image Interoperability Framework (IIIF), a project to make the world’s image repositories interoperable and accessible.

via Artdaily

Open Access Week at Davidson Library

Open Access logoOpen Access Week is an annual international event that promotes open access as a new norm in research and scholarship. Please join us for any or all of the Library’s Open Access Week programs to learn about trends and challenges in scholarly publishing.

Programs held during the week include:

  • Reinventing Scholarly Publishing: UC Press. Monday, October 19, 4-5:15 pm (Room 1575, 1st Floor)
  • Reinventing Scientific Publishing: Collabra, JoVE, PLOS. Tuesday, October 20, 4-5:15 pm (Room 1575, 1st Floor)
  • Reinventing Impact Factors: Altmetrics. Wednesday, October 21, 4-5pm (Room 1575, 1st Floor)
  • Reinventing Publication Management at UC. Thursday, October 22, 4-6 pm (Room 1575, 1st Floor)
  • Innovation, Copyright, and the Academy: The Reinvention of Your Scholarship. Monday, November 2, 4-5:15 pm (Mary Cheadle Room, 3rd Floor)

Admission is free to all events. Refreshments will be served. The Library appreciates the support of our program co-sponsors: Academic Senate, Office of Research, and Graduate Division.

Countering ISIS monument destruction with Million Image Database Project

emple of Baalshamin. Image © Bernard Gagnon via WikipediaIn a “digital race against IS,” The Institute for Digital Archaeology (IDA) is working with UNESCO World Heritage and NYU’s Institute for the Study of the Ancient World to launch a Million Image Database Project. The hope is to capture one million 3D images of at-risk objects by the end of 2016 by deploying up to 5,000 heavily-modified inexpensive consumer 3D cameras that will permit inexperienced users to capture archival-quality scans and upload these images automatically to database servers. Once there, they can be used for study or, if required, 3D replication via open source technology and software.

via ArchDaily


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