Posts Tagged 'universities'

Bard Graduate Center exhibition installation images now in Artstor

Thomas Hope: Regency Designer, Installation view; 2008. Image and original data contributed by Bard Graduate Center GalleryArtstor announced that the Bard Graduate Center has released 2,500 images of exhibitions installed in their Gallery. The Bard Graduate Center is an academic unit of Bard College that offers advanced degrees in decorative arts, design history, and material culture and the Gallery is an intimate environment for viewing loan exhibitions curated by the Center’s faculty, staff, students, or specialized curatorial consultants, frequently in collaboration with renowned institutions such as the Metropolitan Museum of Art, Victoria and Albert Museum, and the New-York Historical Society.

Help stop the elimination of the NEA and NEH

Even before his inauguration, the new President announced his intention to eliminate funding for the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH). While named as part of an effort to cut the federal budget, these two organizations (and the The Corporation for Public Broadcasting, which he would privatize) make up only 0.02% of annual federal spending.

Various arts organization have come out denouncing this act and have proposed important ways supporters can fight against cuts:

h/t Washington Post, ARTnews, Art Forum, artnet, Hyperallergic, Inside Higher Ed, etc. You get the point.

Yale Center for British Art adds 1000s of new hi-res images

George Hicks, The Sinews of Old England, 1857, watercolor, graphite, gouache, gum arabic, and scraping out on cream wove paper, Yale Center for British Art, Friends of British Art FundThe Yale Center for British Art has just released more than 22,000 additional high-resolution images through its online collection. To date, the Center has made more than 69,000 images freely available online. This most recent release was made in conjunction with Public Domain Day, and while most of the artworks themselves are not new entries to the public domain, in most cases this will be the first time that digital images of these works are easily and openly accessible to the world. The Center’s images are available as both display-sized jpegs and full-page tiffs and are compatible with the International Image Interoperability Framework (IIIF), a project to make the world’s image repositories interoperable and accessible.

via Artdaily

Open Access Week at Davidson Library

Open Access logoOpen Access Week is an annual international event that promotes open access as a new norm in research and scholarship. Please join us for any or all of the Library’s Open Access Week programs to learn about trends and challenges in scholarly publishing.

Programs held during the week include:

  • Reinventing Scholarly Publishing: UC Press. Monday, October 19, 4-5:15 pm (Room 1575, 1st Floor)
  • Reinventing Scientific Publishing: Collabra, JoVE, PLOS. Tuesday, October 20, 4-5:15 pm (Room 1575, 1st Floor)
  • Reinventing Impact Factors: Altmetrics. Wednesday, October 21, 4-5pm (Room 1575, 1st Floor)
  • Reinventing Publication Management at UC. Thursday, October 22, 4-6 pm (Room 1575, 1st Floor)
  • Innovation, Copyright, and the Academy: The Reinvention of Your Scholarship. Monday, November 2, 4-5:15 pm (Mary Cheadle Room, 3rd Floor)

Admission is free to all events. Refreshments will be served. The Library appreciates the support of our program co-sponsors: Academic Senate, Office of Research, and Graduate Division.

Countering ISIS monument destruction with Million Image Database Project

emple of Baalshamin. Image © Bernard Gagnon via WikipediaIn a “digital race against IS,” The Institute for Digital Archaeology (IDA) is working with UNESCO World Heritage and NYU’s Institute for the Study of the Ancient World to launch a Million Image Database Project. The hope is to capture one million 3D images of at-risk objects by the end of 2016 by deploying up to 5,000 heavily-modified inexpensive consumer 3D cameras that will permit inexperienced users to capture archival-quality scans and upload these images automatically to database servers. Once there, they can be used for study or, if required, 3D replication via open source technology and software.

via ArchDaily

Next Practices in Museum Digital and Technology

View of "You Are Here" exhibition at the Oakland Museum of California (photo: Matthew Millman, courtesy of Oakland Museum of California)The annual Next Practices in Digital and Technology from the Association of Art Museum Directors (AAMD) is available and highlights 41 examples of recent and ongoing digital initiatives designed by AAMD member museums. From social media and mobile apps, to in-gallery interpretation and behind-the-scenes collections management, Next Practices in Digital and Technology explores the ways museums are using technology to advance accessibility, scholarship, education, and audience engagement. Some of the covered topics include Multimedia, In-Gallery Interactive, Open Data, Social Media, Apps, and Access.

Ransom Center makes more than 22,000 images available

The Egpytian Hall, Piccadilly, detail from a letter from Albert Richard Smith to Mr. Kepper introducing John Deane. Letter mentions Dickens and Thackeray (courtesy Harry Ransom Center, The University of Texas at Austin; #MSS_ThackerayWM_3_15_005)The Harry Ransom Center, a humanities research library and museum at The University of Texas at Austin, has adopted an open access policy, removing the requirement for permission and use fees for a significant portion of its online collections believed to be in the public domain. In conjunction with the release of the policy, the Ransom Center launches Project REVEAL (Read and View English and American Literature), a year-long initiative to digitize and make available 25 of its manuscript collections of some of the best-known names from American and British literature of the 19th and early 20th centuries. The Project REVEAL initiative generated more than 22,000 high-resolution images, available for use by anyone for any purpose without restriction or fees. Future efforts will involve removing restrictions for other materials believed to be in the public domain and making them available through the Ransom Center’s digital collections portal.


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