Even before his inauguration, the new President announced his intention to eliminate funding for the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH). While named as part of an effort to cut the federal budget, these two organizations (and the The Corporation for Public Broadcasting, which he would privatize) make up only 0.02% of annual federal spending.
Various arts organization have come out denouncing this act and have proposed important ways supporters can fight against cuts:
h/t Washington Post, ARTnews, Art Forum, artnet, Hyperallergic, Inside Higher Ed, etc. You get the point.
The Yale Center for British Art has just released more than 22,000 additional high-resolution images through its online collection. To date, the Center has made more than 69,000 images freely available online. This most recent release was made in conjunction with Public Domain Day, and while most of the artworks themselves are not new entries to the public domain, in most cases this will be the first time that digital images of these works are easily and openly accessible to the world. The Center’s images are available as both display-sized jpegs and full-page tiffs and are compatible with the International Image Interoperability Framework (IIIF), a project to make the world’s image repositories interoperable and accessible.
Open Access Week is an annual international event that promotes open access as a new norm in research and scholarship. Please join us for any or all of the Library’s Open Access Week programs to learn about trends and challenges in scholarly publishing.
Programs held during the week include:
- Reinventing Scholarly Publishing: UC Press. Monday, October 19, 4-5:15 pm (Room 1575, 1st Floor)
- Reinventing Scientific Publishing: Collabra, JoVE, PLOS. Tuesday, October 20, 4-5:15 pm (Room 1575, 1st Floor)
- Reinventing Impact Factors: Altmetrics. Wednesday, October 21, 4-5pm (Room 1575, 1st Floor)
- Reinventing Publication Management at UC. Thursday, October 22, 4-6 pm (Room 1575, 1st Floor)
- Innovation, Copyright, and the Academy: The Reinvention of Your Scholarship. Monday, November 2, 4-5:15 pm (Mary Cheadle Room, 3rd Floor)
Admission is free to all events. Refreshments will be served. The Library appreciates the support of our program co-sponsors: Academic Senate, Office of Research, and Graduate Division.
In a “digital race against IS,” The Institute for Digital Archaeology (IDA) is working with UNESCO World Heritage and NYU’s Institute for the Study of the Ancient World to launch a Million Image Database Project. The hope is to capture one million 3D images of at-risk objects by the end of 2016 by deploying up to 5,000 heavily-modified inexpensive consumer 3D cameras that will permit inexperienced users to capture archival-quality scans and upload these images automatically to database servers. Once there, they can be used for study or, if required, 3D replication via open source technology and software.
Published July 6, 2015
Museum news , Pedagogy
Tags: California, education, exhibitions, galleries, getty, Hammer, image viewing, LACMA, MCASB, MOCA, SBMA, technology, tools, universities, video
The annual Next Practices in Digital and Technology from the Association of Art Museum Directors (AAMD) is available and highlights 41 examples of recent and ongoing digital initiatives designed by AAMD member museums. From social media and mobile apps, to in-gallery interpretation and behind-the-scenes collections management, Next Practices in Digital and Technology explores the ways museums are using technology to advance accessibility, scholarship, education, and audience engagement. Some of the covered topics include Multimedia, In-Gallery Interactive, Open Data, Social Media, Apps, and Access.
The Harry Ransom Center, a humanities research library and museum at The University of Texas at Austin, has adopted an open access policy, removing the requirement for permission and use fees for a significant portion of its online collections believed to be in the public domain. In conjunction with the release of the policy, the Ransom Center launches Project REVEAL (Read and View English and American Literature), a year-long initiative to digitize and make available 25 of its manuscript collections of some of the best-known names from American and British literature of the 19th and early 20th centuries. The Project REVEAL initiative generated more than 22,000 high-resolution images, available for use by anyone for any purpose without restriction or fees. Future efforts will involve removing restrictions for other materials believed to be in the public domain and making them available through the Ransom Center’s digital collections portal.
The UCSB Library has acquired two art collections — The Mission Gráfica and La Raza Graphics — from the Mission Cultural Center for Latino Arts (MCCLA) in San Francisco comprised of roughly 2,000 historical silkscreen print posters from the Chicano / Latino Visual Arts movement plus organizational records from the MCCLA. These will be housed in the California Ethnic and Multicultural Archives (CEMA), a division of UCSB Library’s Special Research Collections and will nearly double CEMA’s already extensive holdings of Chicano/Latino graphic prints. Once the items in the new collections have been processed and catalogued, they will be available to scholars and the public for research and viewing.
Among the artists featured in the collections are Rene Castro, Enrique Chagoya, Domitilia Dominguez, Juan Fuentes, Pete Gallegos, Carmen Lomas Garza, Ester Hernandez, Linda Lucero, Ralph Maradiaga, Oscar Melara, Consuelo Mendez, Malaquias Montoya, Irene Perez, Michael Rios, Jos Sances and Hebert Siguenza.