Posts Tagged 'museums'

Getty Provenance Index® Databases adds art sales records

Left: The Entombment, Peter Paul Rubens, ca. 1612, oil on canvas. The J. Paul Getty Museum; right: Inventory number on The Entombment (detail). Digital images courtesy of the Getty's Open Content Program.

The Getty Provenance Index® has added 138,000 database records of art sales from the 1600s and 1700s, including the earliest known catalog published in Britain. This brings the cumulative Databases holdings to more than 1.7 million records taken from source material such as archival inventories, auction catalogs, and dealer stock books. Quantity and scope of available research material varies by region, period, and type of document, and records are continually expanded and enriched on a regular basis. Visit Search the Getty Provenance Index® Databases for more information.

Getty’s first online exhibition preserves Palmyra

Two-part panorama featuring Colonnade Street, Louis Vignes, 1864. Albumen print. 8.8 x 11.4 in. (22.5 x 29 cm), each print. The Getty Research Institute, 2015.R.15 (digital image courtesy of the Getty's Open Content Program)

The Getty Research Institute‘s inaugural digital exhibition, The Legacy of Ancient Palmyra, was developed “as a tribute to Palmyra” with images by traveling artists and explorers who documented the site in former states of preservation. “Their works contribute to Palmyra’s legacy, one that goes far beyond the stones of its once great buildings.”

There are numerous additional resources to explore, including a Facebook Live behind-the-scenes perspective event with The Legacy of Ancient Palmyra co-curator Peter Louis Bonfitto and web designers Masato Nakada and Karen To Nakada as they discuss the challenges and insights that came with the creation of the GRI’s first online exhibition on Tuesday, March 14, from 9:00-9:15 am.

The Davis Museum’s statement on the immigration ban

In a comment on the current White House administration’s policies on immigration, the Davis Museum at Wellesley College has removed or covered all art in the galleries that was created by immigrants. The initiative is called Art-Less and is meant to illustrate the creative contributions made by immigrants to the US. Labels describing each piece will be left on display to underscore the impact. It runs Feb 16-21.  [Press release] davis-museum

The Met implements an image Open Access policy

Pieter Bruegel the Elder, The Harvesters, 1565 (Acc. No. 19.164; courtesy The Metropolitan Museum of Art)

The Metropolitan Museum of Art took to Facebook Live today to announce their new Open Access policy, which makes images of artworks it believes to be in the public domain widely and freely available for unrestricted use, and at no cost, in accordance with the Creative Commons Zero (CC0) designation and the Terms and Conditions of this website.

It also makes available data from the entire online collection ― both works it believes to be in the public domain and those under copyright or other restrictions ― including basic information such as title, artist, date, medium, and dimensions. This data is available to all in accordance with the Creative Commons Zero (CC0) designation.

Help stop the elimination of the NEA and NEH

Even before his inauguration, the new President announced his intention to eliminate funding for the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH). While named as part of an effort to cut the federal budget, these two organizations (and the The Corporation for Public Broadcasting, which he would privatize) make up only 0.02% of annual federal spending.

Various arts organization have come out denouncing this act and have proposed important ways supporters can fight against cuts:

h/t Washington Post, ARTnews, Art Forum, artnet, Hyperallergic, Inside Higher Ed, etc. You get the point.

Now available: Performance at Tate

Charles Atlas with Cecilia Bengolea and François Chaignaud, Performance as part of Charles Atlas and Collaborators, in the Tanks at the Tate Modern, 2013 (Photo © Tate)Performance at Tate: Into the Space of Art “explores the history of performance art at Tate from the 1960s to 2016. Arising from a two-year research project, this major online publication offers a new appraisal of the place of performance art and performativity in the museum through essays and case studies on individual artworks and events. It also publishes for the first time audio, films and videos, photographs, museum documents and reviews drawn from Tate’s Archive, showing the richness and depth of the gallery’s engagement with performance.”

George Eastman House collections online

Unidentified maker, We just held the camera in front of us, dated July [19]32, gelatin silver print (Gift of Peter J. Cohen, acc. no. 2015.0123.0042; image courtesy of The George Eastman Museum)The George Eastman Museum’s vast collections are now searchable online, including over 250,000 objects from the photography, technology, and George Eastman Legacy collections. Visit often as additional records and images will be added on an ongoing basis, including the Moving Image collection of more than 28,000 titles spanning the entire history of world cinema.

via Open Culture, h/t Denise Massa


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