Explore some of the most famous rooms in Parliament and learn more about its fascinating history and present day use. The tour will be part of Google Maps, alongside similar experiences for Buckingham Palace and the White House. Anyone with a virtual reality headset will be able to get an even more immersive experience.
via The Guardian
The David and Gladys Wright House is temporarily closed for public tours, but don’t let that stop you from exploring the site through a new virtual tour.
The virtual tour of the house, originally built for FLW’s son and his wife, begins with interactive floor plans of the main house and guest house, each of which are dotted with photographs, documents, video, and 360 interactive views. Once inside the 360 views, transparent circles dot the tour, either as a way to re-orient the viewer within the space or to inform by hovering the cursor over it.
If you have Google Cardboard or Samsung Gear VR, click here to view the house in Virtual Reality.
via Wright Society newsletter, Issue 36
The Rare Book and Special Collections Division of the Library of Congress has an active digitization program, sharing thousands of its treasures online for users all over the world. Their most recent announcement highlights digital additions to the Lessing J. Rosenwald Collection.
The Rosenwald Collection’s greatest strengths are in the fifteenth century woodcut books, early sixteenth-century illustrated books, William Blake, and twentieth-century livres des peintres. The late Mr. Rosenwald sought books produced by the earliest printers and outstanding presses of later periods, and books on the following subjects: science, calligraphy, botany, and chess. The catalog describing the collection published in 1978 contains 2,653 entries, many for books represented by more than one copy. The online list of items are organized by category and Rosenwald catalog number.
Click here to learn more about the Rosenwald Collection.
The Metropolitan Museum of Art took to Facebook Live today to announce their new Open Access policy, which makes images of artworks it believes to be in the public domain widely and freely available for unrestricted use, and at no cost, in accordance with the Creative Commons Zero (CC0) designation and the Terms and Conditions of this website.
It also makes available data from the entire online collection ― both works it believes to be in the public domain and those under copyright or other restrictions ― including basic information such as title, artist, date, medium, and dimensions. This data is available to all in accordance with the Creative Commons Zero (CC0) designation.
Performance at Tate: Into the Space of Art “explores the history of performance art at Tate from the 1960s to 2016. Arising from a two-year research project, this major online publication offers a new appraisal of the place of performance art and performativity in the museum through essays and case studies on individual artworks and events. It also publishes for the first time audio, films and videos, photographs, museum documents and reviews drawn from Tate’s Archive, showing the richness and depth of the gallery’s engagement with performance.”
The George Eastman Museum’s vast collections are now searchable online, including over 250,000 objects from the photography, technology, and George Eastman Legacy collections. Visit often as additional records and images will be added on an ongoing basis, including the Moving Image collection of more than 28,000 titles spanning the entire history of world cinema.
via Open Culture, h/t Denise Massa
Artstor and Larry Qualls have released approximately 32,000 images of contemporary art exhibited in the New York area in the past three decades. This release joins the more than 100,000 images already available in the Larry Qualls Archive, including images of all the major figures equated with contemporary art from the 1980s to the present. This release completes the collection in the Digital Library and is now Artstor’s largest survey of contemporary art.
Because of copyright considerations, only images of works by artists represented by artists’ rights groups with which Artstor has existing agreements — the Artists Rights Society (ARS) and the Société des auteurs dans les arts graphiques et plastiques (ADAGP) — or with individual artists with whom Artstor has reached agreements, may be made available internationally.