The Rare Book and Special Collections Division of the Library of Congress has an active digitization program, sharing thousands of its treasures online for users all over the world. Their most recent announcement highlights digital additions to the Lessing J. Rosenwald Collection.
The Rosenwald Collection’s greatest strengths are in the fifteenth century woodcut books, early sixteenth-century illustrated books, William Blake, and twentieth-century livres des peintres. The late Mr. Rosenwald sought books produced by the earliest printers and outstanding presses of later periods, and books on the following subjects: science, calligraphy, botany, and chess. The catalog describing the collection published in 1978 contains 2,653 entries, many for books represented by more than one copy. The online list of items are organized by category and Rosenwald catalog number.
Click here to learn more about the Rosenwald Collection.
The Metropolitan Museum of Art took to Facebook Live today to announce their new Open Access policy, which makes images of artworks it believes to be in the public domain widely and freely available for unrestricted use, and at no cost, in accordance with the Creative Commons Zero (CC0) designation and the Terms and Conditions of this website.
It also makes available data from the entire online collection ― both works it believes to be in the public domain and those under copyright or other restrictions ― including basic information such as title, artist, date, medium, and dimensions. This data is available to all in accordance with the Creative Commons Zero (CC0) designation.
Even before his inauguration, the new President announced his intention to eliminate funding for the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH). While named as part of an effort to cut the federal budget, these two organizations (and the The Corporation for Public Broadcasting, which he would privatize) make up only 0.02% of annual federal spending.
Various arts organization have come out denouncing this act and have proposed important ways supporters can fight against cuts:
h/t Washington Post, ARTnews, Art Forum, artnet, Hyperallergic, Inside Higher Ed, etc. You get the point.
Published January 19, 2017
Noah Charney, art historian and author, argues convincingly for the increased importance and relevance of a humanities-based education in “The art of learning: Why art history might be the most important subject you could study today” on Salon.com. The multiple skills and interdisciplinary aspects of studying art history increase critical thinking, especially important in this age of fake news. John Berger’s Ways of Seeing is more important than ever….
Performance at Tate: Into the Space of Art “explores the history of performance art at Tate from the 1960s to 2016. Arising from a two-year research project, this major online publication offers a new appraisal of the place of performance art and performativity in the museum through essays and case studies on individual artworks and events. It also publishes for the first time audio, films and videos, photographs, museum documents and reviews drawn from Tate’s Archive, showing the richness and depth of the gallery’s engagement with performance.”
The George Eastman Museum’s vast collections are now searchable online, including over 250,000 objects from the photography, technology, and George Eastman Legacy collections. Visit often as additional records and images will be added on an ongoing basis, including the Moving Image collection of more than 28,000 titles spanning the entire history of world cinema.
via Open Culture, h/t Denise Massa
Mark your calendars for the 22nd edition of the LA Art Show: Modern | Contemporary, which will be held January 11-15, 2017 in the West Hall of the LA Convention Center. This ever-evolving art fair will feature innovative galleries, lectures, and artist performances that showcase premier Modern and Contemporary work.