Artstor announced that the Bard Graduate Center has released 2,500 images of exhibitions installed in their Gallery. The Bard Graduate Center is an academic unit of Bard College that offers advanced degrees in decorative arts, design history, and material culture and the Gallery is an intimate environment for viewing loan exhibitions curated by the Center’s faculty, staff, students, or specialized curatorial consultants, frequently in collaboration with renowned institutions such as the Metropolitan Museum of Art, Victoria and Albert Museum, and the New-York Historical Society.
Archive for the 'Museum news' Category
Tags: Artstor, exhibitions, museums, universities
Tags: education, fun, Hammer, MCASB, museums
Slow Art Day, a global event to stop and savor works of art, will take place on Saturday, April 8. This is how it works:
- Sign up at a participating museum or art gallery. Locally, you can join in at the Museum of Contemporary Art Santa Barbara (MCASB) and the Hammer Museum, UCLA.
- Attend and look at works of art slowly. Some museums pick 5 works, others may concentrate on 1 or 2 – while yet others will give more options. Show up at your venue, pay the admission fee (if there is one) and then look slowly – 5-10 minutes – at each piece of pre-assigned art or exhibition.
- Discuss your experience with venue hosts and other participants
Tags: architecture, exhibitions, getty, museums, video
The Getty Research Institute‘s inaugural digital exhibition, The Legacy of Ancient Palmyra, was developed “as a tribute to Palmyra” with images by traveling artists and explorers who documented the site in former states of preservation. “Their works contribute to Palmyra’s legacy, one that goes far beyond the stones of its once great buildings.”
There are numerous additional resources to explore, including a Facebook Live behind-the-scenes perspective event with The Legacy of Ancient Palmyra co-curator Peter Louis Bonfitto and web designers Masato Nakada and Karen To Nakada as they discuss the challenges and insights that came with the creation of the GRI’s first online exhibition on Tuesday, March 14, from 9:00-9:15 am.
In a comment on the current White House administration’s policies on immigration, the Davis Museum at Wellesley College has removed or covered all art in the galleries that was created by immigrants. The initiative is called Art-Less and is meant to illustrate the creative contributions made by immigrants to the US. Labels describing each piece will be left on display to underscore the impact. It runs Feb 16-21. [Press release]
Tags: image viewing, museums, open content
The Metropolitan Museum of Art took to Facebook Live today to announce their new Open Access policy, which makes images of artworks it believes to be in the public domain widely and freely available for unrestricted use, and at no cost, in accordance with the Creative Commons Zero (CC0) designation and the Terms and Conditions of this website.
It also makes available data from the entire online collection ― both works it believes to be in the public domain and those under copyright or other restrictions ― including basic information such as title, artist, date, medium, and dimensions. This data is available to all in accordance with the Creative Commons Zero (CC0) designation.
Tags: advocacy, education, museums, universities
Even before his inauguration, the new President announced his intention to eliminate funding for the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH). While named as part of an effort to cut the federal budget, these two organizations (and the The Corporation for Public Broadcasting, which he would privatize) make up only 0.02% of annual federal spending.
Various arts organization have come out denouncing this act and have proposed important ways supporters can fight against cuts:
- College Art Association (CAA)
- American Alliance of Museums (AAM)
- Society of Architectural Historians (SAH)
Tags: archives, contemporary, image viewing, museums, performance, photography, video
Performance at Tate: Into the Space of Art “explores the history of performance art at Tate from the 1960s to 2016. Arising from a two-year research project, this major online publication offers a new appraisal of the place of performance art and performativity in the museum through essays and case studies on individual artworks and events. It also publishes for the first time audio, films and videos, photographs, museum documents and reviews drawn from Tate’s Archive, showing the richness and depth of the gallery’s engagement with performance.”