Archive for the 'Image searching' Category

35,000 additional Magnum Photos images now on Artstor

Moises Saman, Zacharia Gazmouth, a suspected Shabiha prisoner, his body covered in self-inflicted defaced pro-Assad tatoos, is a prisoner at a makeshift jail in the rebel-held town of Marae, Aleppo Province, Syria, July 24, 2012. (© Moises Saman / Magnum Photos)Magnum Photos has now shared more than 35,000 additional images into Artstor’s Digital Library, bringing the total to approximately 116,000* of the world’s most recognized photographs.

Among the highlights are black and white shots of daily life in Europe by Raymond Depardon; Middle Eastern tensions and traditions observed by Abbas; elegant staged portraits from Marilyn to Einstein by Philippe Halsman; Martine Franck’s images of both ordinary people and luminaries; a vibrant sequence in India by Alessandra Sanguinetti; and Thomas Hoepker’s striking painterly landscapes. The collection also documents present-day concerns with photographs from geopolitical hotspots like Fukushima, Donetsk, and Aleppo.

Read more…

*Image totals may vary from country to country, reflecting Artstor’s obligation to address variations in international copyright.

Pharos: The International Consortium of Photo Archives

Images from the Collections Jacque Doucet, Bibliothèque de l’INHA (Institut national d’histoire de l’art)

PHAROS is an international consortium of fourteen European and North American art historical photo archives committed to creating a digital platform, currently in beta, that allows research among the photographic holdings of all consortium members – an estimated 31 million images, including artworks and supplemental material.

One of the best searching features they’re working on is reverse-image searching – the ability to upload a digital image or URL where an image is located, and search the database as you would a text query to return results related to the image. This image-recognition technology strives to eradicate language barriers inherent in text searching.

via NYTimes; h/t Ann Jensen Adams

Library of Congress digitizes rare books from the Rosenwald Collection

Giovanni Battista Braccelli, Bizzarie di varie figure / di Giouanbatista Braccelli, pittore fiorentin. [Livorno : s.n.], 1624. (courtesy Library of Congress. Lessing J. Rosenwald collection, 1345)The Rare Book and Special Collections Division of the Library of Congress has an active digitization program, sharing thousands of its treasures online for users all over the world. Their most recent announcement highlights digital additions to the Lessing J. Rosenwald Collection.

The Rosenwald Collection’s greatest strengths are in the fifteenth century woodcut books, early sixteenth-century illustrated books, William Blake, and twentieth-century livres des peintres. The late Mr. Rosenwald sought books produced by the earliest printers and outstanding presses of later periods, and books on the following subjects: science, calligraphy, botany, and chess. The catalog describing the collection published in 1978 contains 2,653 entries, many for books represented by more than one copy. The online list of items are organized by category and Rosenwald catalog number.

Click here to learn more about the Rosenwald Collection.

The Met implements an image Open Access policy

Pieter Bruegel the Elder, The Harvesters, 1565 (Acc. No. 19.164; courtesy The Metropolitan Museum of Art)

The Metropolitan Museum of Art took to Facebook Live today to announce their new Open Access policy, which makes images of artworks it believes to be in the public domain widely and freely available for unrestricted use, and at no cost, in accordance with the Creative Commons Zero (CC0) designation and the Terms and Conditions of this website.

It also makes available data from the entire online collection ― both works it believes to be in the public domain and those under copyright or other restrictions ― including basic information such as title, artist, date, medium, and dimensions. This data is available to all in accordance with the Creative Commons Zero (CC0) designation.

Now available: Performance at Tate

Charles Atlas with Cecilia Bengolea and François Chaignaud, Performance as part of Charles Atlas and Collaborators, in the Tanks at the Tate Modern, 2013 (Photo © Tate)Performance at Tate: Into the Space of Art “explores the history of performance art at Tate from the 1960s to 2016. Arising from a two-year research project, this major online publication offers a new appraisal of the place of performance art and performativity in the museum through essays and case studies on individual artworks and events. It also publishes for the first time audio, films and videos, photographs, museum documents and reviews drawn from Tate’s Archive, showing the richness and depth of the gallery’s engagement with performance.”

Artstor adds 32,000 images of contemporary art

Kaari Upson, Untitled, 2009, Exhibited at Maccarone Gallery, Fall 2009, charcoal (© Kaari Upson; photo: Larry Qualls; courtesy Artstor Digital Library)Artstor and Larry Qualls have released approximately 32,000 images of contemporary art exhibited in the New York area in the past three decades. This release joins the more than 100,000 images already available in the Larry Qualls Archive, including images of all the major figures equated with contemporary art from the 1980s to the present. This release completes the collection in the Digital Library and is now Artstor’s largest survey of contemporary art.

Because of copyright considerations, only images of works by artists represented by artists’ rights groups with which Artstor has existing agreements — the Artists Rights Society (ARS) and the Société des auteurs dans les arts graphiques et plastiques (ADAGP) — or with individual artists with whom Artstor has reached agreements, may be made available internationally.

Nationalmuseum releases hi-res images on Wikimedia Commons

Vincent van Gogh, Acacia in Flowers (Stokholm, Nationalmuseum, #NM 5939)This month, Sweden’s Nationalmuseum contributed over 3100 high quality digital images of works from their collection into Wikimedia Commons. While the museum’s long-term goal is greater visibility and accessibility to their collection, in the short term it also provides access to artworks not currently on view, since the museum is undergoing renovation and most of the gallery spaces are closed to the public.

The images – all of paintings in the public domain – can be downloaded in various sizes, including a JPEG for presentations or an archival quality TIFF for research. Object and digital image credit line information are also offered with each work of art.

via Artdaily


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