Slow Art Day, a global event to stop and savor works of art, will take place on Saturday, April 8. This is how it works:
- Sign up at a participating museum or art gallery. Locally, you can join in at the Museum of Contemporary Art Santa Barbara (MCASB) and the Hammer Museum, UCLA.
- Attend and look at works of art slowly. Some museums pick 5 works, others may concentrate on 1 or 2 – while yet others will give more options. Show up at your venue, pay the admission fee (if there is one) and then look slowly – 5-10 minutes – at each piece of pre-assigned art or exhibition.
- Discuss your experience with venue hosts and other participants
Published March 23, 2017
Tags: fun, museums
For the last three years the Rijksmuseum has solicited design contributions inspired by the museum collection. Members of the public can download images and submit their creations, which you can now vote on (until April 20). Visit the Rijksstudio site to see the 10 wonderful finalists, and cast your vote.
The Getty Provenance Index® has added 138,000 database records of art sales from the 1600s and 1700s, including the earliest known catalog published in Britain. This brings the cumulative Databases holdings to more than 1.7 million records taken from source material such as archival inventories, auction catalogs, and dealer stock books. Quantity and scope of available research material varies by region, period, and type of document, and records are continually expanded and enriched on a regular basis. Visit Search the Getty Provenance Index® Databases for more information.
The David and Gladys Wright House is temporarily closed for public tours, but don’t let that stop you from exploring the site through a new virtual tour.
The virtual tour of the house, originally built for FLW’s son and his wife, begins with interactive floor plans of the main house and guest house, each of which are dotted with photographs, documents, video, and 360 interactive views. Once inside the 360 views, transparent circles dot the tour, either as a way to re-orient the viewer within the space or to inform by hovering the cursor over it.
If you have Google Cardboard or Samsung Gear VR, click here to view the house in Virtual Reality.
via Wright Society newsletter, Issue 36
PHAROS is an international consortium of fourteen European and North American art historical photo archives committed to creating a digital platform, currently in beta, that allows research among the photographic holdings of all consortium members – an estimated 31 million images, including artworks and supplemental material.
One of the best searching features they’re working on is reverse-image searching – the ability to upload a digital image or URL where an image is located, and search the database as you would a text query to return results related to the image. This image-recognition technology strives to eradicate language barriers inherent in text searching.
via NYTimes; h/t Ann Jensen Adams
Artstor announced The Andy Warhol Foundation for the Visual Arts has now made available more than 35,000* images in the Artstor Digital Library. These two extensive collections – Warhol’s Oeuvre and Photographic Legacy Project – provide a thorough presentation of Warhol’s works for the first time, including more than 34,000 original Andy Warhol photographs as well as paintings, drawings, sculptures, and prints spanning four decades.
*Image totals may vary from country to country, reflecting Artstor’s obligation to address variations in international copyright.
Published March 3, 2017
Art news , Pedagogy
Tags: advocacy, education
As we reported in January, the College Art Association released a statement condemning the proposed budget cuts to the National Endowment for the Arts and the National Endowment for the Humanities, among other federal agencies. Now they’ve created an Advocacy Toolkit “to help our members and anyone who wants to advocate for the arts and humanities. Information is power, after all. The Tool Kit information is pulled from a variety of sources that aid in forging partnerships, obtaining accurate data on the impact of the arts and humanities, and actions one can take in order to use your voice effectively.
They also encourage you to contact CAA since CAA staff will attend both Arts Advocacy Day and Humanities Advocacy Day. The more stories we can share as we meet with colleagues and representatives, the more influence we collectively bring to the table.
h/t Mark Pompelia