Even before his inauguration, the new President announced his intention to eliminate funding for the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH). While named as part of an effort to cut the federal budget, these two organizations (and the The Corporation for Public Broadcasting, which he would privatize) make up only 0.02% of annual federal spending.
Various arts organization have come out denouncing this act and have proposed important ways supporters can fight against cuts:
h/t Washington Post, ARTnews, Art Forum, artnet, Hyperallergic, Inside Higher Ed, etc. You get the point.
Published January 19, 2017
Noah Charney, art historian and author, argues convincingly for the increased importance and relevance of a humanities-based education in “The art of learning: Why art history might be the most important subject you could study today” on Salon.com. The multiple skills and interdisciplinary aspects of studying art history increase critical thinking, especially important in this age of fake news. John Berger’s Ways of Seeing is more important than ever….
Performance at Tate: Into the Space of Art “explores the history of performance art at Tate from the 1960s to 2016. Arising from a two-year research project, this major online publication offers a new appraisal of the place of performance art and performativity in the museum through essays and case studies on individual artworks and events. It also publishes for the first time audio, films and videos, photographs, museum documents and reviews drawn from Tate’s Archive, showing the richness and depth of the gallery’s engagement with performance.”
The George Eastman Museum’s vast collections are now searchable online, including over 250,000 objects from the photography, technology, and George Eastman Legacy collections. Visit often as additional records and images will be added on an ongoing basis, including the Moving Image collection of more than 28,000 titles spanning the entire history of world cinema.
via Open Culture, h/t Denise Massa